Then, calculate the minimum and maximum inputs you'll need to handle your projects. How many analog inputs will you need? What about hi-Z inputs for recording DI guitar or bass? How about other I/O connection types, like ADAT or DanteĀ® for higher input counts? Try to cover your bases for every recording situation you're likely to be involved in. Too many inputs are better than too few-that way, you have room to grow. Your choice of interface largely depends on how many simultaneous inputs you need. To determine the best audio interface for you, take a deep dive into your workflow and specific needs-as you browse the market with spec sheets in hand, here are four factors to keep in mind. ![]() Where's the line between a great buy for a home or project studio and features that are really only necessary in a commercial facility? After all, you don't want to overspend on options you won't get use from, but you also don't want to skimp only to find that your latest investment doesn't meet your needs. ![]() ![]() There are many solid options for entry-level audio interfaces, but when you're ready to trade up for a more professional sound, the options can quickly become bewildering.
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